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SAARINEN EXECUTIVE ARM CHAIR

$395.00

Designed by: Eero Saarinen 1950
Color: Black, with light oak wood legs

Featured in nearly all Florence Knoll-designed interiors, the Saarinen Executive Chair has remained one of our most popular designs for nearly 70 years. The design, which is now found in dining rooms as often as it is in offices, transformed the notion of what executive seating could be with its sculptural form and modern finishing.

Certified Pro-Seller

Certified pre-owned office furniture, well maintained and in good working order.

2 in stock

Description

Designed by: Eero Saarinen 1950
Color: Black, with light oak wood legs

Featured in nearly all Florence Knoll-designed interiors, the Saarinen Executive Chair has remained one of our most popular designs for nearly 70 years. The design, which is now found in dining rooms as often as it is in offices, transformed the notion of what executive seating could be with its sculptural form and modern finishing.


Eero Saarinen

Eero Saarinen

b. Finland
1910-1961

Born to world famous parents, architect and Cranbrook Academy of Art director Eliel Saarinen and textile artist Loja Saarinen, Eero Saarinen was surrounded by design his whole life. It came as no surprise that Eero was helping his father design furniture and fixtures for the Cranbrook campus by the time he was in his teens. In 1929 Eero left for Paris where he studied sculpture before enrolling in the Yale architecture program the following year. In 1934, he returned to Michigan to teach at Cranbrook, work on furniture designs, and practice architecture with his father.

Eero SaarinenIt was at Cranbrook that Saarinen met Charles Eames. The two young men, both committed to the exploration of potential new materials and processes, quickly became great friends, pushing each other creatively while collaborating on several projects. The most notable outcome of their partnership was the groundbreaking collection of molded plywood chairs for the MoMA-sponsored 1940 Organic Design in Home Furnishings competition. Their collection was awarded first prize in all categories, catapulting the young designers to the forefront of the American modern furniture movement.

Saarinen also met Florence Knoll (né Schust) at Cranbrook, who at that time was a promising young protégé of Eliel Saarinen. Florence spent all of her free time with the Saarinen family, including summer vacations to Finland. Florence and Eero developed a brother-and-sister-like relationship that would last the rest of their lives. Florence later recalled that her history with Eero made him her most honest and, often, harshest critic. When Florence joined Knoll in the 1940s, it was an obvious choice for her to invite Eero to design for the company.

Over the next 15 years Saarinen designed many of the most recognizable Knoll pieces, including the Tulip chairs and tables, the Womb chair, and the 70 series seating collection. Eero, who was known for being obsessed with revision, took a sculptural approach to furniture design, building hundreds of models and full scale mock-ups to achieve the perfect curve, find the right line, and derive the most pleasing proportions. His designs, which employed modern materials in graceful, organic shapes, helped establish the reputation and identity of Knoll during its formative years.

 

Eero Saarinen Pedestal Collection

Saarinen’s revolutionary Pedestal Collection debuted in 1958

Additional information

Condition

C.) Used

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